Three objects show the same two words at three rates. A lenticular print changes once, when the viewer moves. A cathode-ray receiver cycles between them on a fixed interval, with a burst of noise between states. A vertical display runs them as a feed, each state lasting only as long as a thumb allows. The piece sets the three side by side so the rate itself becomes the thing seen.
The Messaging Thrash of a medium is the rate at which the medium suggests different messages to the user. Innovation in media often goes hand in hand with increasing message thrash. For most of the history of print the thrash was slow enough to go unnoticed: a painting did not change, a broadsheet perhaps daily. Broadcast introduced the cut, and with it the two words Postman heard joining any item to any other, "Now... this," the interval between them making the join acceptable. Algorithmic feeds remove the interval entirely for fear of leaking any attention.
This piece is an exploration of message thrash.
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